After a physical this morning, I spent the day revisiting my very old love the Decemberists in lieu of their upcoming concert this month which I am VERY VERY VERY FUCKING EXCITED FOR. This will be my 7th time seeing my dear Decemberists and I know it won't be my last. They put on one of the best live shows I have ever seen, and all of their music is so consistently wonderful, from their first album released in 2002 to the few songs I've heard off of their new album out this month: The King is Dead. I cleaned the shit out of my room today, after smoking, because smoking always seems to make me want to clean the shit out of things. And while cleaning I listened to all of the Decemberists full length albums, starting with Castaways and Cutouts,

Nothing beats Castaways and Cutouts. Leslie Anne Levine, Grace Cathedral Hill, The Legionnaire's Lament, Cocoon, Odalisque, Here I Dreamt I Was an Architect, and California One/ Youth and Beauty Brigrade all jam packed into a fucking INCREDIBLE debut album?? Actually, I might as list every single song off of this album, because they're all so perfect. For a band to produce this gem of an album as their first jaunt into the music industry, they're obviously going to be something. Since this first album they have released 6 more albums, and not one have been a disappointment. Colin Meloy, please see how much I love you and marry me.
then on to Her Majesty,

Her Majesty has the two best songs to ever transition into one another. Red Right Ankle MAY be their best song, it's perfection, and then it goes right from the soft beauty of Red Right Ankle into the sheer force and AMAZINGNESS of The Chimbley Sweep, which is the most epic, dance worthy song out there. Los Angeles, I'm Yours has been a favorite of mine since probably 7th grade, and I still love that song to death. Billy Liar and I Was Meant for the Stage are two others from this album that will always be on my favorites list. Although overall I think this album is weaker than Castaways and Cutouts, but damn it contains some of their best songs, even if overall it is not up to the perfection of Castaways.
and then Picaresque,

Which contains.....wait for it...drum roll....The Mariner's Revenge Song. Which may just be the most genius, epic, 8 minutes of a song ever. I could sing this song in my sleep, that is how much the words are ingrained into my mind. Some other notable ones off this album...The Engine Driver... On the Bus Mall is amazing. Eli the Barrow Boy, The Sporting Life, and the Bagman's Gambit. This is the album where they really started to display their quirkiness in their lyrics...though it had obviously been shown in the first two records, just not as extensively. Meloy starts to utilize his monstrous vocabulary and woo fans with old tales of battling at sea, falling in love with a trouble-making woman in jail, and the disappointment a son feels when their father watches their inability to play sports in The Sporting Life, which can be humorously thought of as a biographical depiction of Meloy's failed attempt to be sporty as his father desired.
The Crane Wife,

I actually remember making my mom drive me to Newbury Comics in 2006 to pick up this album, and how excited I was for it. And I remember how it infiltrated my life for the next month or so, and I did not listen to anything else. The Island is a 12 minute long sprawling epic that is very reminiscent of The Tain, their 17 minute long single song released that is also amazing. I didn't listen to that today, unfortunately, because my copy of it is scratched beyond repair. One day I'll buy another copy because The Tain is just another piece of perfection to add to the Decemberists discography. The Crane Wife Parts 1 & 2 are my second favorite off this album, and then there's Yankee Bayonet, and When the War Came, and Sons and Daughters, and O Valencia...and basically all of them. I wasn't kidding when I said they're such a solid band and basically all of their songs are amazing.
The Hazards of Love,

Finally, the Hazards of Love, which is a concept album about faeries, water gods, love, and finally love lost. It has always been in The Decemberists talents to create amazing imagery and strange worlds in their songs, and The Hazards of Love only epitomizes this. I can't even pick out a certain song off of this album because they all flow together, but I love listening to this album whenever I can, but it's not one where I can just hear a few songs, I have to hear the entire thing. I don't listen to it as often as I would like because of the time commitment, but it is up there with one of my favorites from them.
and now I am finally giving their new album, The King is Dead,

the first of I'm sure many listens. I don't know how The King is Dead is supposed to follow The Hazards of Love, but I'm sure it'll find its own way into the spot in my heart designated solely for The Decemberists.
This album is country-ish however, and it's scaring the shit out of me. I ...decidedly hate country, but i would honestly follow this band even if they suddenly turned into a hip-hop-folk-country band... I hope it grows on me. I wish they would make another album like Castaways, but that is a long lost creation, probably never to be repeated. Their first album was so solid and perfect, I don't know another band that has remained so consistent. I could talk extensively about every single one of their albums, I just hope The King is Dead will soon join the ranks of his very worthy counterparts.
Today I also started the sprawling 1000 page best of a book The Pillars of the Earth by Ken Follett. It's my goal to finish it before going back to school in 15 days or so and I can already tell it will be an easy goal to reach. 150 pages in and I am hooked, surely not to be set free until all 900 pages are read and retired. I hope this book stays as good as it is because I'm really excited for it.